THE MASJID GALLERY
A Geometric Gesign
A geometric design from the mosque was used by the architect as a repeating motif to unify the interior and exterior architectural space
The White Interior
The white interior of the museum serves as a blank canvas for the interplay of multi-chromatic light cast by the stained glass windows
Pristine Space
We took care to not disrupt the natural beauty of the pristine space and aimed instead to revitalize it
Integrate Graphics
Every opportunity to integrate graphics with the architecture and interior was prioritized for the rebirthing of the museum.
Walking Around
Walking around its central hall, we found no real need for any wayfinding or signage system as its architectural layout, defined by its strong symmetry and spatial form.
Central Hall
Walking around its central hall, we found no real need for any wayfinding or signage system as its architectural layout, defined by its strong symmetry and spatial form.
non-intrusive digital devices
Beautiful and non-intrusive digital devices were available for visitors at every corner of the museum.
Wall graphics
Wall graphics were designed with a white background to integrate with the overall white space of the mosque, contributing to its elegance, serenity, and purity.
Muzium Masjid Sultan Abdullah
Muzium Masjid Sultan Abdullah is a small mosque built in the 1930s and has been beautifully restored for its new role as an Islamic arts museum.
As a small museum, we felt that there was no real need for any wayfinding or signage system as its architectural layout, defined by a strong symmetry and spatial form, was obvious to any first-time visitors.
The museum is divided into three thematic zones: The Islamic World, The Malay World, and The Royal Realm.